[2] Films of this movement portrayed the crisis of the regime in Communist Poland, usually in the setting of a provincial town.
The development of the movement was abruptly stopped by the introduction of the martial law in Poland in 1981, and when it was lifted, the country was overwhelmed with powerful political and social processes which had eventually led to the fall of Communism in the country and disappearance of the addressed social issues.
[1] In addition, Jerzy Płażewski [pl] suggested the term "kino autentyzmu etosu" (cinema of ethos authenticity),[3] while Mariola Jankun-Dopartowa suggested "kino nieufności" (Cinema of Distrust).
[4] The style of the film may be demonstrated by one of the closing scenes of the film Camera Buff by Krzysztof Kieślowski: a single-take panoramic shot from nice facades of a row of houses to an alleyway, to dilapidated rear sides of the houses.
In these films personal interests conflict with the stifling social and political environment.