[1] She has acted as a consultant for the European Union in Dakar and various cultural organizations, and conducted specific research projects through the support of art academies in Vienna, Edinburgh, Glasgow, Bordeaux, Bergen, Copenhagen, Malmö, Stockholm, and London.
As an independent curator she has organized a number of exhibitions in Europe, including Lotte or the Transformation of the Object (Styrian Autumn, Graz, 1890, Vienna Academy of Fine Arts, 1891), and Exotic Europeans (National Touring Exhibitions, Hayward Gallery, London).
In 1996, she created Metronome, a magazine which moves to a different location each time including Dakar, Berlin, Basel, Frankfurt, Vienna, Oslo, Copenhagen, London, and Paris.
[6] Her theoretical interests include research into bridging mechanisms between artists working in different parts of the world, the related post-colonial issues, the status of the verbal in today's art practice, and curatorial projects that go beyond the exhibition.
The Randolph Cliff is an artist-in-residency program supported by Edinburgh College of Art and the National Galleries of Scotland.