Clare Twomey

Clare Twomey MBE (born 1968 in Ipswich) is a London-based visual artist, curator and researcher, working in performance, serial production, and site-specific installation.

[7] Consciousness/Conscience has been interpreted as showing how the artist's work is "influenced by observations of human interaction and political behavior and peruses her interest in space, architecture, intervention and the gallery as destination.

"Trophy continues to develop as is spreads out across hundreds of private locations"[9] In 2009, Clare Twomey created the work Monument for the Middlesbrough Institute of Modern Art as part of the exhibition Possibilities and Losses: Transitions in Clay, which she helped to curate.

[12] Inspired by looking at a pile of broken china from the Johnson Porcelain Tile Factory in Stoke-on-Trent, this piece was made up of discarded seconds and manufacturing mistakes.

In this exhibition she explored permanence, responsibility, memory, desirability, the value and process of making through looking at one specific item from the collection, a sandbach cup.

This group show included artists such as Annabeth Rosen, Kristen Morgin, Jeanne Quinn, Walter McConnell, Heather Mae Ericsson, and Kim Dickey as well as many others.

Collecting the Edges piled red, powdered, Colorado clay into these specific spaces spreading the exhibition throughout the whole museum.

In one of their exchanges Jakupovic shared a story about how in the concentration camp, they carved spoons for each other out of wood and shards of broken glass.

[citation needed] On 27 January 2015, Holocaust Remembrance Day, Twomey distributed invitations to people walking over Westminster Bridge.

"Today you are invited to be part of a new work, your words will be placed on thousands of beautiful porcelain objects that will be made in the coming year.