In an orchestral context, the cymbals are held by their straps with the thumb and index finger closest to the bell, not unlike holding a drumstick.

Typically, marching cymbalist employ a technique known as "Garfield grip" (named after its use by the Garfield Cadets Drum and Bugle Corps) in which the hand is placed through the straps and twisted to let the palm rest on top of the bell.

This technique allows for greater control over the instrument and for movements known as "visuals" – flashy maneuvers such as flips and twirls.

A drum kit normally contains one pair of clash cymbals mounted on a pedal-operated hi-hat stand.

The hi-hat arose out of the need for vaudeville pit orchestras to combine the roles of a bass drummer, snare drummer, and cymbalist into one player, eventually forming the modern drum set.

The smallest and thickest tend to have the higher pitch, the thinner ones allow for greater expression, and the largest have the greatest volume.

[9] Marching cymbal lines use leather pads placed on the bell to cushion the hands.