Classical mythology

Latin remained the dominant language in Europe during the Middle Ages and Renaissance, largely due to the widespread influence of the Roman Empire.

These myths often involve gods, heroes, goddesses, afterwar appearances, and other supernatural beings, and they were an integral part of the religious and cultural practices of the time.

Known versions are mostly preserved in sophisticated literary works shaped by the artistry of individuals and by the conventions of genre, or in vase painting and other forms of visual art.

In these forms, mythological narratives often serve purposes that are not primarily religious, such as entertainment and even comedy (The Frogs), or the exploration of social issues (Antigone).

Roman myths are traditional stories pertaining to ancient Rome's legendary origins, religious institutions, and moral models, with a focus on human actors and only occasional intervention from deities but a pervasive sense of divinely ordered destiny.

Syncretized versions form the classical tradition of mythography, and by the time of the influential Renaissance mythographer Natalis Comes (16th century), few if any distinctions were made between Greek and Roman myths.

The myths as they appear in popular culture of the 20th and 21st centuries often have only a tangential relation to the stories as told in ancient Greek and Latin literature.

Le Rapt d'Europe ("The Abduction of Europa ," 1750) by Jean-Baptiste Marie Pierre ( Dallas Museum of Art )