The Co-Cathedral of Saint Nicholas (Slovak: Konkatedrála svätého Mikuláša) in Prešov is one of the oldest and most important churches in Slovakia.

Parts of bend shafts and brackets on the north side have been preserved from the original Gothic church.

The domination of the building is the tower, which has pseudo-Gothic arcades and a high pyramidal roof, which was built in 1903.

The third stage, which was conceptually unifying existing disparate complex, is associated with the name of the builder John Brengyszeyna, who was leading master of the Late Gothic reconstruction of the church in the years 1502-1515.

During this period sanctuary side was vaulted, entrance hall of the church was finished and jambs and windows were stone craved.

and st. Imrich on the heel of vault on the southern wall of the south nave were polychromed by painter Peter Moler.

An inscription tape was painted on the triumphal arch of the south with the beginning of rebuilding of the temple in 1502.

The temple has undergone repairs after fire in 1711 and 1788, when the southern Baroque-classical portal with carved gate and original fittings was built.

In the beginning of the 19th century the northern portico was built, in 1823 the cemetery and stone fence around the church was removed.

In the years 1903-1904 church tower was rebuilt in Neo-Gothic style by the architect Frigyes Schulek.

The floor was paved with travertine tiles, the phonics and the new Cross Way lit from behind from stained glass was installed.

The authorship of the altar is attributed to the Prešov carver John Weiss, who lived there back in 1509.

There are sculptures of Saint Stephen, Ladislaus, Ignatius and Francis Xavier by woodcarver J. Hartman on the altar stone.

Above the altar there is a relief showing turned curtain, with a crown on top and below its peak there is a monogram of the Virgin Mary with rays and heads of angels.

There is a sculpture of the Holy Trinity on the top of the altar, under it is placed the medallion with a painted blazon of the town which was used since 1558.

The center is decorated with sculptures of angels in late Gothic style by Paul of Levoca from the early 16th century.

The original sculpture of Calvary on beam of triumphal arch allegedly damaged fire in the 17th century.

The monumental sculpture of the crucified has extremely high artistic quality and its dramatic expressive comprehension is the evidence of the fact that it was created under the influence of German art in the first half of the 14th century.

Older written sources mention also the panel painting of Saint Anny Samotretia who got to Nemzeti Museum in Budapest.

A Gothic temple facilities also include mural paintings on the north wall of the middle presbytery from the late 15th and the early 16th century, which displays a knight on horseback and female figures.

On the western chorus in 1634 a large organ was built with rich early Baroque ornamentation and sculpture of St. Michael the Archangel at the top.

The northern side of the central presbytery under the Gothic arcades two tribunes with early Baroque railing were added.

At the top of the middle organ tower there is a sculpture of King David and on the sides there are statues of angels from Presov carvers.

To the column between presbyteries of central and southern naves a baptistery was built in the Renaissance style in the second half of the 16th century.

Beaten grid with high sculpture of the Good Shepherd on the roof in northern presbytery comes from the same period.

Another relief Christ, this time on a stormy sea, is located on the back panel of the pulpit.

A statue of the Good Shepherd and the carved symbols of the three divine virtues rest on a canopy.

In the second half of the 17th century organ gallery was made with carved railing, which includes a smooth sill and a niche with the figure of Christ in its middle.

Baroque tracery of chorus from the second half of the 18th century contains a small organ decorated with acanthus ornamentation.

Sill of the organ body is polygonal and there are images with scenes of the Annunciation, the Birth and Adoration of three Kings placed.