Coat of arms of Finland

Starting in the 13th century, the territory of today's Finland was gradually incorporated into the Swedish kingdom, and this coincided with the period when coats of arms first came into use in northern Europe.

It has been suggested that either Duke John himself, or his brother Eric XIV, was leading the design work on the heraldic signs on the tomb.

He started on the task in Antwerp in 1562, completing it 10 years later; however, the tomb was not in place in Uppsala until the early 1580s, and the finishing work lasted until 1591.

The work of Willem Boy is of exceptional quality, which is perhaps explained by the fact that lions were a dominant feature in the heraldry of Flanders, and he would therefore have had a great deal of exposure to it before receiving the commission for the tomb of Gustavus I.

The earliest known blazon from this period states that the arms of Finland represents A crowned lion of gold holding a sword in the right forepaw and trampling with both hindpaws on a Russian sabre (ryssesabel), surrounded by nine silver roses in a red field, over the shield a golden crown with a red cap.

In the funeral banner of Charles X Gustavus (in 1660) it can be seen treading on the sabre with all three free paws; in drawings by Elias Brenner (in the Suecia antique et hodierna by Erik Dahlberg, printed in 1716), it is pictured with a double tail (queue fourchée) and with an almost walking posture.

During the reform of official Russian heraldry in 1857, the lion was again changed on the initiative of Baron Bernhard Karl von Köhne.

During the years when the Russian emperors pursued a policy of Russification (1899–1905 and 1908–1917), the use of the arms of Finland increased significantly, and eventually became popular in the broader population.

The director of the Finnish National Archives, Karl August Bomansson (1827–1906), made the first significant study on the arms of Finland in modern times.

On the other hand, the Finnish municipalities and regions usually use heraldic motifs drawn from elsewhere, leaving the lion for state use (exceptions exist, such as the Coat of arms of Jakobstad).

Figure 2: Coat of arms of Valdemar Birgersson
Figure 3: Bjälbo coat of arms
Figure 4: Seal of Duke Valdemar
Figure 5: Grand-ducal coat of arms of Finland, tomb of King Gustav Vasa ( Uppsala cathedral , Sweden )
Figure 6: Coat of arms of Karelia , tomb of King Gustav Vasa (Uppsala cathedral, Sweden)
Figure 8: Coat of arms of Grand Duchy of Finland
Figure 10: Coat of arms of the Kingdom of Finland (1918)