[2] The members of the group declared that their goal was "to be open and incorporate all we know, without turning the whole world into milk toast - still encouraging the survival of the traditions".
[3] Critic Robert Palmer stated that the group's "self-appointed mission is to fuse African, Indian and other music traditions in the heat of improvisation".
[4] The authors of The Penguin Guide to Jazz on CD called the group's debut album "one of the iconic episodes in so-called (but never better called) 'world music'", and stated: "Any tendency to regard Codona's music... as floating impressionism is sheer prejudice, for all these performances are deeply rooted in modern jazz (Coltrane's harmonies and rhythms, Ornette Coleman's melodic and rhythmic primitivism) and in another great and related improvisational tradition from Brazil.
[10] The members' involvement with Codona overlapped with their participation in other projects, Cherry with Old and New Dreams, Walcott with Oregon, and Vasconcelos with Pat Metheny, Milton Nascimento, Jan Garbarek, Jon Hassell, and others.
[14] Walcott played sitar, tabla, hammered dulcimer, sanza, and timpani, while Vasconcelos performed on berimbau, cuica, talking drum, and a variety of percussion instruments.