Cold Creek Manor is a 2003 American thriller film directed by Mike Figgis, and starring Dennis Quaid, Sharon Stone, Stephen Dorff, Juliette Lewis, Kristen Stewart, and Christopher Plummer.
Later that night as a storm approaches, Leah returns to the house alone, having been informed by the children the location of a deep well on the property, called the Devil's Throat.
After a chase, Dale corners Cooper and Leah atop the roof and openly declares his intent to kill them and dump their bodies down the Devil's Throat like he did to his family.
[3] Audiences surveyed by CinemaScore gave the film a grade "C−" on a scale of A+ to F.[4] Stephen Holden of The New York Times observed, "A serious filmmaker like Mike Figgis can be forgiven, I suppose, for slumming, when he's got a cast as stellar as the one that infuses the scream-by-numbers thriller Cold Creek Manor with more psychological credibility than its screenplay merits".
He said the film "belongs to the Cape Fear tradition of thrillers in which the mettle of a civilized family man is tested in a life-or-death struggle with crude macho evil".
[5] Roger Ebert of the Chicago Sun-Times rated the film 1½ stars and called it "an anthology of cliches" and "a thriller that thrills us only if we abandon all common sense".
[6] Edward Guthmann of the San Francisco Chronicle said, "As haunted-house thrillers go, Cold Creek Manor is more ludicrous than the average but at the same time more handsomely produced.
[7] Peter Travers of Rolling Stone rated the film one star and commented, "It's sad to see risk-taking director Mike Figgis do a generic thriller for a paycheck and then not even screw with the rules .
[8] Steve Persall of the St. Petersburg Times graded the film D and thought "all this bad acting and run-of-the-thrill dialogue might be entertaining if something would just happen besides a silly snake scare and a wan truck chase.
Taking a break from his multiple-perspective digicam experiments, helmer Mike Figgis displays at best a half-hearted interest in delivering the commercial genre goods, while Dennis Quaid and Sharon Stone fish in vain to find any angles to play in their dimension-free characters".