There was a sequel released in 1998 on the New World label titled Columbia-Princeton Electronic Music Center 1961–1973.

Halim El-Dabh's composition, an "electronic drama," has a text drawn from the epic of Layla and Majnun, and consists primarily of tape manipulated instrumental and vocal sounds.

Ussachevsky's work has lyrics derived from the Enuma Elish creation myth, with chorus and electronic accompaniment.

Babbitt's piece is composed entirely on the RCA Synthesizer of the Columbia-Princeton Computer Music Center.

Luening's composition combines solo violin with RCA Synthesizer sound followed by tape manipulation.