1, and contains similar themes about topics such as cocaine and drug use, depression, suicide, and relationships, delivered through deadpan vocals and alternative rock inspired compositions.

After the acquisition of these demos by Columbia Records, production started posthumously with trio IIVI and longtime partner Smokeasac returning.

Peep's mom, Liza Womack, was involved in the production process, and spoke at a Columbia-hosted listening party to promote the album.

The album received generally positive reviews from music critics, who praised its production and lyricism and noted its significance to Generation Z.

Following Lil Peep's death, his label and family began to back up his MacBook Pro laptop which included recordings from the Come Over When You're Sober sessions.

[2] A few months before his death, Peep relocated to London along with iLoveMakonnen, and the duo recorded songs that sounded far brighter than his life situation at the time.

[7][6] Peep's mother, Liza Womack, was involved in the production process and was played certain tracks by Smokeasac and ILoveMakonnen from Pt.

[10][11] Whereas his previous releases featured him rapping over gothic trap beats and harsh, swelling guitars, the sophomore album gravitates more towards Lil Peep's somber tendencies.

[11] The dysphoric record production is drenched in reverberation and low-pass filters, giving the tracks a cinematic atmosphere.

[10] Peep's songwriting continues down his lane of honest, vulnerable lyrical themes as the album's subject matter harbors reflections on heartbreak and addiction.

[10] Lil Peep frequently ruminates the concept of his death through song, obsessively documenting thoughts on his inevitable passing.

[8] His songwriting touches on intimacy and codependency in relationships as well as issues with substance abuse, with lyrics that are often wry, deadpan and emphatic.

[12] On the song Peep discusses his feelings of emptiness and melancholy along with "ghostly" keys,[13][12] with reviewer Jayson Greene of Pitchfork noting that it is "drowned in sadness.

"[11] "Runaway" discusses "fake" people that surround Peep and includes the repetition of the line "I was dying and nobody was there" alongside Smokeasac's "dark, guitar-driven production.

[12] "Life is Beautiful" addresses hardships that Peep has faced in his life—Hinz states that line such as "When I die, I'll pack my bags, move somewhere more affordable" show his devastatingly ironic sense of humor.

[8] "Hate Me" leans into Peep's pop punk influences and discusses his feelings of inadequacy, and "IDGAF" resembles his older songs, with Hinz commenting that the guitar lick is reminiscent of Metallica.

"White Girl" discusses Peep's feelings toward having sex with someone who doesn't love him back and contains continued references to cocaine.

[12][13] "Fingers", the album's closing track, contains a use of synthesizer and guitar with the line "I'm not gonna last long" serving as its ending.

[19][5] Womack spoke during a listening party held by Columbia Records on October 19, stating that the album was "what [Peep] would've wanted."

[20] A documentary to accompany the album was announced by Peep's estate in a New York Times article written by Jon Caramanica.

It would be produced by Terrence Malick, best known for directing the films Badlands, Days of Heaven and The Thin Red Line.

A "Cry Alone" video shot in May 2017 in San Francisco by Max Beck was released the same day as the single.

[24] The album's lead single, "Falling Down" was released on September 19, 2018, being announced by Lil Peep and XXXTentacion's mothers.

[31] At Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream publications, Come Over When You're Sober, Pt.

[11] Charles Holmes of Rolling Stone described the album as "a requiem for who Gustav "Gus" Elijah Åhr was and an examination of the musician he could've been, and was becoming."

Holmes praised the production of Smokeasac and Astasio, but panned "White Girl" and "Falling Down", and Peep's repetitive vocal delivery.

"[33] Luke Hinz of HotNewHipHop noted the album's candid discussion of mental health, which in turn "provides a sanctuary and outlet for those dealing with many of the same ailments.