Compañía Transatlántica Española

After the Marquess of Comillas's death in 1883, his fourth son, Don Claudio López Bru, took charge of the company.

They tried to break the blockade that the United States imposed on Cuba and the Philippines, the last great colonies of the Spanish crown, but were mostly unsuccessful.

It began to renew its fleet with two new technologically advanced sister ships launched in 1912: Reina Victoria-Eugenia from England and Infanta Isabel de Borbon from Scotland.

In 1917 a mine sank the CTE liner Carlos de Eizaguirre off Robben Island, killing 134 people.

The Spanish Republican Navy requisitioned some CTE ships and used them to evacuate refugees from coastal cities besieged by the Nationalist armies.

One of the last luxury ocean-liners of the company was ship Virginia de Churruca, sold to Trasmediterránea which used it for ferry services to the Balearic Islands.

In 1978 a non-functional Compañía Transatlántica Española was integrated into the Instituto Nacional de Industria (INI), a Spanish state entity that absorbed failed companies in order to service debt, among other purposes.

In its last days CTE was not even a shadow of the transoceanic shipping company it was in its heyday, when its luxury passenger liners cruised the World's oceans.

Following the strengthening of the Euro currency between 2005 and 2006, as well as higher fuel costs, CTE found it increasingly difficult to service the debts to its creditors.

The steamship Colón at Port Said in 1898. She tried unsuccessfully to break the US naval blockade of the Philippines in the Spanish–American War.
The steamship Alfonso XIII which was launched in 1889. She sank at Santander in 1915.
Reina Victoria-Eugenia , built in England in 1912 and renamed Argentina in 1931
Carlos de Eizaguirre , mined in 1917 with the loss of 134 lives
Infanta Isabel de Borbon , built in Scotland in 1912 and renamed Uruguay in 1931
CTE pavilion at the 1888 Barcelona Universal Exposition , was designed by Antoni Gaudí
Compañía Transatlántica allegory, by Rossend Nobas, on one side of the monument "A López y López" in Barcelona.