Constance Talmadge

When a friend recommended Talmadge's mother use older sister Norma as a model for title slides in flickers,[clarification needed] which were shown in early nickelodeons, Peg decided to do so.

Grace Kingsley found Talmadge in her dressing room at the Fine Arts Studio, in Los Angeles, in the midst of making up for some new shots.

[citation needed] So popular was Talmadge's portrayal of the tomboyish Mountain Girl, Griffith released in 1919 the Babylonian sequence from Intolerance as a new, separate film called The Fall of Babylon.

[2] Over the course of her career, Talmadge appeared in more than 80 films, often in comedies such as A Pair of Silk Stockings (1918), Happiness a la Mode (1919), Romance and Arabella (1919), Wedding Bells (1921), and The Primitive Lover (1922).

According to her 1923 Blue Book of the Screen biography, she was "5'5" tall, 120 lbs, with blonde hair and brown eyes, ... an outdoor girl who loved activities.

My sister could cry real tears over two sofa cushions stuffed into a long dress and white lace cap, to look like a dead baby, and she would do it so convincingly that 900 persons out front would weep with her.

That is real art, but my kind of talent would lead me to bounce that padded baby up and down on my knee with absurd grimaces that would make the same 900 roar with laughter.

[8] Along with her sister Norma, Mary Pickford, and Douglas Fairbanks, Talmadge inaugurated the tradition of placing her footprints in concrete outside Grauman's Chinese Theater.

On the cover of Photoplay magazine, 1919
Drawing of actress Constance Talmadge by Treichler, page 40 of the December 1921 Screenland .
Constance Talmadge (1923)
Norma and Constance Talmadge
Advertisement promoting films with Norma Talmadge and Constance Talmadge, on page 9 of the December 25, 1920 Exhibitors Herald .