A second song by Bread (written by Karlin and band members James Griffin and Robb Royer, titled "So You Say") also appeared on the soundtrack.

Seeking a grant, Tony is steered to Paul, who's a Hollywood agent, but he continues to reject the notion of making movies that conform to the norm.

Tony shoots realistic footage of a couple making love in a car, a derelict, a prostitute, even an argument between Melisse and a young student that nearly turns violent.

[4] Vincent Canby of The New York Times wrote that the film displayed "a compulsive need to ridicule itself, to deny its basic intelligence and to fail.

"[6] According to Fox records, the film required $3,525,000 in rentals to break even, and by 11 December 1970, it had made $1,050,000, resulting in a loss to the studio.