He also worked for Disney Adventures (Kim Possible), Beckett (Ruule: Kiss and Tell, Ronin Hood of the 47 Samurai, The Cobbler’s Monster), Image Comics (Tellos: The Last Heist, Tales of Tellos, Invincible Handbook, Monster Pile-up) and Marvel Comics' Creative Services.
[2] After sending his portfolio to various editors, Rousseau was hired by DC and assigned the book Impulse.
"...after sending samples everywhere," says Rousseau, "I got a fill-in issue of IMPULSE (22) and was asked to do 21 as well...next thing I knew, I had a full-time gig (which surprised me, 'cause those books looked TERRIBLE)!"
In 2001 Rousseau began work at Image Comics by drawing Tellos: The Last Heist, when he was paired with legendary inker Terry Austin.
During this time he branched out and worked for companies such as Beckett (Ronin Hood of the 47 Samurai) and Portal Productions Studio (Bots!!).
In 2008 he was the regular artist on the second series of Marvel's Spider-Man Loves Mary Jane, a job that he relished for its change of pace.
(I had imagined that it would be a Saturday morning cartoon of a comic book; a spooky Scooby-Doo-type adventure, and then a few pages of Archie-like jokes and gags.)
As the first issues unfolded, however, with our concept still fairly ambiguous, we found that it was developing its own voice, its own 'flavor', and, like parents with a young child, we let it go and discover its own identity.
"Craig and I were feeling zero love from Dark Horse," said DeZago, "They did nothing at all to promote our second series, Second Chances, when it came out and were very slow at getting back to us with any sales or financial information.
Join us for a nail-biting, strapped-to-your-seat adventure as Tony battles his greatest creations, and tries to discover who could (gasp) OUTSMART him!?!?