The album predominantly consists of guest appearances from artists including Ice Cube, Pitbull, the Ying Yang Twins, Waka Flocka Flame, The Game, Travis Porter, Damian Marley, Soulja Boy, R. Kelly and Whole Wheat Bread; the latter of whom assisted with its production alongside Drumma Boy, Benny Blanco, Dr. Luke, Steve Aoki, R. City and Shawty Redd, among others.

[12] A demo of "What a Night" featuring Jay Sean also recorded, but it not make a final cut in the album version.

[18][19] Confirmed guests additionally included Roscoe Dash, Mariah Carey, 3OH!3, Whole Wheat Bread, David Guetta, Steve Aoki, LMFAO, Zuper Blahq, DJ Chuckie, Laidback Luke, Elephant Man, Pastor Troy, Ying Yang Twins, Akon, Mario, R. Kelly, T-Pain, Soulja Boy Tell 'Em, and Pitbull.

[19][21] Lil Jon stated the album would now be more eclectic than previously envisaged with elements of house music, pop and R&B.

[20] By October 2009, Lil Jon described the album as "80 percent done", with all tracks recorded but "some final touches" still required, with the release date pushed back into early 2010.

[37] AllMusic writer David Jeffries gave it 3 out of 5 stars and called it "a scattershot set of tracks that just barely fit together, but take into consideration the label problems and legal issues the producer has faced since the album's conception, and it becomes a scruffy mess you just might cheer on".

[34] Slant Magazine writer Jesse Cataldo gave the album 2½ out of 5 stars and described its songs as "thick, silly concoctions, glazed with bass and defined by endless repetition, whirlwinds of chants and shouts that circle like demented carousels".

[35] The New York Times writer Jon Caramanica commended the album's production, but ultimately expressed a negative response towards Lil Jon's lyrics, writing "he retains his trademark ignorance and indignation: plenty of the most salacious material here is his own... he’s back to noisily asserting primacy through fight chants".

[38] USA Today's Steve Jones gave it 2½ out of 4 stars and shared a similar sentiment, stating "He has mixed more rock and electronica in with the thumping bass lines, but the message remains the same: Get up and jam, or go home".