The occasion was a figure he made of the writer Karl von Holtei, which impressed Kaiser Wilhelm I so much that he bought it on the spot.
Upon his return, he began taking lessons in the studios of Carl Friedrich Echtermeier, a former Master Student of Ernst Julius Hähnel.
He completed his studies at the Academy of Fine Arts, Vienna, under Viktor Oskar Tilgner, who taught him how to make polychrome figures.
[1] His financial breakthrough came in 1897 with an allegorical figure group called Die Krone als Hort des Friedens (The Crown as a Haven of Peace), which fit in so well with the contemporary political propaganda that Kaiser Wilhelm II ordered it to be made in marble for the Herrenhaus.
[1] In 1907, he was one of the signatories on a letter addressed to Chancellor Bernhard von Bülow, stating that the market for art in Germany was oversaturated and suggesting that a greater effort be made to sell art in the United States, despite that country's preference for works in the French style.