[6] Richard Petty of No Ripcord described the opening track of the extended play as "Balam Acab-like aqueous soundscapes", combined with "whimsical Disney reminiscent samples".

Petty called "Dead Island" the highlight of the EP, complimenting the "blissful and hazy production, backed by the propulsive dancehall beats of Major Lazer’s Pon De Floor".

He criticized Antwon's guest appearance, saying "his relatively gruff voice [contrasts] harshly with Kitty’s hushed vocals and [provides] something of a shock to the system over sliced up DSOTM-era Pink Floyd samples".

Rage "[feeds] on warm, sparkly beats and topical rap nerdery asserted with a defiantly Disney Channel attitude", just like Kitty's previous EP, Haha, I'm Sorry (2012).

might be about Kitty's friend, Danny Brown", citing the line "You're about as fraudulent as a mirage out in the desert / Blue peacock / You're puffing out your feathers / To bring a bunch of bitches backstage into your dressing room / So you could treat it like a petting zoo" as support of that suggestion.

[8] Jody Rosen of Rolling Stone compared the "emotional truth" in Kitty's love songs to that of Taylor Swift and described her flow as "fleet and inventive".