Đurić was born on 4 October 1933, in Cetinje, the historic capital of Montenegro, then part of the Kingdom of Yugoslavia, and grew up in a middle-class family.
Although uninterested in general education, Đurić developed a strong interest in art and displayed early creative skills.
His family supported him to develop his talent and he started studying fine arts in the maritime town of Herceg Novi between 1947 and 1951.
In the meantime and through his professional environment, he learned French fast enough to be able to meet and interact with well-established artists such as Kalinowski and Jean Dubuffet.
While painting, he conducted a permanent search for the essence of energy, progressively abandoning details and fine techniques in favour of more colourful and dynamic compositions.
An illustration of this evolution can be seen in large paintings such as Les Limbes or Le Massacre des Innocents (1958–1959), La Grande Ferme.
Hommage à Bernard Réquichot (1962–1963), Le Diptyque d'Hérouval (1975–1976) and L'École de Prescillia (2001–2002), in the collections of the Centre Pompidou, Musée national d'art moderne, Paris.
A most noticeable achievement in this field is a set of ceramics tiles in tribute to French writer Irène Némirovsky.
[5] A fervent books collector and reader, Dado found opportunities to work with writers, poets or essayists, who most of time were friends of him.
Having met French writer Georges Perec, Dado illustrated Alphabets, a book dedicated to word play (1976).
Their collaboration started in 1984 when Pierre Bettencourt wrote a text for an exhibition catalogue of paintings inspired by Buffon's work.
Including those is Les Oiseaux d'Irène (2007), a personal tribute of both artists to writer Irène Némirovsky and Dadomorphes & Dadopathes, with 5 engravings by Dado, published with Deyrolles in 1992.
In the 2000s, Dado worked with Jean-Marc Rouillan with the publishing of Les Viscères polychromes de la Peste brune, 2009.
Though staying most of the time in his secluded home, Dado occasionally left his place to feed his interest in the outer world.