Daijiro Morohoshi

[1] In 1974, his short story "Seibutsu Toshi" (生物都市, Bio City) was selected in the 7th Tezuka Award.

Morohoshi takes inspiration from ancient history, mythology and folklore, influenced by the essays of Tatsuhiko Shibusawa.

Yōkai Hunter revolves around archeologists discovering strange incidents around Japan, Mad Men shows myths from Papua New Guinea clashing with modernity and Saiyū Yōenden is based on the classic Chinese fantasy novel Journey to the West.

[3] His drawing style is inspired by Western artists such as Salvador Dalí, whom he cites as his favourite painter, but his work also includes references to Hieronymus Bosch, Francisco Goya and Giorgio de Chirico.

[6] According to Toshio Okada, who was a former representative director of Gainax, Hideaki Anno always said that he wanted to apply the scene where a giant appeared in Morohoshi's "Kage no Machi" (影の街, Shadow Town) to his work, and his hope was realized in Neon Genesis Evangelion.