The production is heavy on vocal hooks, synths, and chattering beats, but the focus is Sean’s wit and insistent flow.

Club gave a positive review of the track and called it freewheeling, fast-footed, and full of swagger.

[4] The Village Voice complimented Sean's performance on the track and said "he took his microphone and turned it into an extension of his phallus, waving it down there like a gleeful toddler as the track imbued new meaning to MC Hammer's signature phrase 'Hammer Time', released in 1990 to the artist Hammer Time.

"[5] Ology called it a positive minority in the album and complimented the "flow-flip" and "low bass tones" in the song.

[6] HipHopDX commented on the song and said that it "narrowly escapes formulaic territory by injecting enough personality, comedy and verbal gymnastics to ably complement Da Internz' pounding, dance-ready bassline.