It was their first new music since their 2021 album Crawler, and it features backing vocals from James Murphy and Nancy Whang of LCD Soundsystem.

Rolling Stone described the "raucous" song as showing the band's "trademark post-punk instrumentals mix with [...] a poppier and more melodic chorus", while Hot Press characterized the "playful and scuzzy" track by its "heavy bass, dirty guitar riffs, and joyous vocals".

[11][12][13] Uproxx praised frontman Joe Talbot's vocals as "[taking] command [reigning] over the dance floor", while American Songwriter commented that the backing vocals from members of LCD Soundsystem "[lend] themselves to a spooky, urgent tone that complements Talbot’s guttural, grungy voice", and also added that "there’s a note of [lyrical] innuendo"[14][15] Consequence described it as "swampy, spine-tingling, [and] hypnotic", naming it the "song of the week" on October 20 and commenting that "being hip-to-hip and cheek-to-cheek has rarely sounded so visceral".

[16] Regarding its overall style, Medium commented that the song is "[reminiscent] of disco, but with loud guitars instead of funky, electronic beats" and that it shows the band "make an effort to artistic boundaries" as they "put a rhythmic spin on their sound".

[17] The comparison to this genre was furthered by Music Feeds' conclusion that "IDLES have entered their disco era – albeit with a great deal of sweat, horror, and aggression laced with something that looks a little like love, if you squint at it sideways".