Dario Argento

[4] His films as director include his "Animal Trilogy", consisting of The Bird with the Crystal Plumage (1970), The Cat o' Nine Tails (1971) and Four Flies on Grey Velvet (1971); his "Three Mothers" trilogy, consisting of Suspiria (1977), Inferno (1980) and The Mother of Tears (2007); and his stand-alone films Deep Red (1975), Tenebrae (1982), Phenomena (1985) and Opera (1987).

He co-wrote the screenplay for Sergio Leone's Once Upon a Time in the West (1968) and served as George A. Romero's script consultant on Dawn of the Dead (1978), for which he also composed the soundtrack with his long-time collaborators Goblin.

Argento began work on his directorial debut, the giallo film The Bird with the Crystal Plumage (L'uccello dalle piume di cristallo, 1970), which was a major hit in Italy.

Argento continued to concentrate largely on the giallo genre, directing two more successful thrillers, The Cat o' Nine Tails (Il gatto a nove code, 1971) and Four Flies on Grey Velvet (4 mosche di velluto grigio, 1972).

The director then turned his attention away from giallo movies, filming two Italian TV dramas and a period comedy, The Five Days (Le cinque giornate, 1973).

[10] In 1978, Argento collaborated with George A. Romero on Dawn of the Dead, earning a producer credit and also providing soundtrack work for the zombie film.

Argento oversaw the European release of the film, where it was titled Zombi, which was much shorter and featured more of the score written and performed by Goblin.

Argento's father died during its production, Vanessa Redgrave quit the project before filming began, he had problems working with his former long-time girlfriend and collaborator Daria Nicolodi on-set, and the cast and crew were plagued by several minor accidents and mishaps.

In 1990, Argento co-directed Two Evil Eyes with George Romero, a two-story anthology film inspired by the works of Edgar Allan Poe.

Like many of Argento's films, it contains an optical illusion witnessed by a character stumbling upon a murder, but he or she, like the audience, misinterprets the nature of the crime.

In 2004, Argento directed The Card Player, a giallo about a killer whose murders are conducted during Internet poker matches with the Rome police, which earned a mixed reception; some fans appreciated the techno music score composed by ex-Goblin member Claudio Simonetti, but felt the film was too mainstream, with little of Argento's usual flourish.

The following month, he announced that he had started working on a 3D remake of Deep Red,[14] but subsequently this project was shelved due to the commercial failure of Giallo in Italian cinemas.

[15] On 4 March 2011, it was announced that Rutger Hauer had signed on to play Van Helsing in Argento's Dracula 3D, which began shooting in Budapest later in the year.

In 2021, Argento returned to acting and portrayed Lui in Gaspar Noe's 2021 psychological drama film Vortex.

[21] He is involved in operating a horror memorabilia store located at Via dei Gracchi 260 in Rome named Profondo Rosso, after his classic film Deep Red.

British journalist Alan Jones published Profondo Argento, a compendium of set reports, interviews, and biographical detail.

It highlighted Dario's contribution, as well as that of his father (Salvatore), brother (Claudio), ex-wife (Daria Nicolodi) and daughter (Asia).

For a filmmaker who was always so precise in his construction and cutting, his later films such as The Phantom of the Opera and The Card Player are sloppy, stitched together so carelessly that they leak vital fluid.

Dario Argento, Adriano Celentano and Enzo Cerusico in a pause during the shooting of The Five Days , 1973
Argento in 1985
Argento being interviewed by Martin Sauvageau during the Festival International du Cinéma Fantastique de Montréal in 1994
Argento discusses his film Pelts at the Torino Film Festival in 2006.
Argento at the 2017 Cannes Film Festival
Argento in 1993 with his daughter Asia