Dark Intervals is a live solo album by American jazz pianist Keith Jarrett recorded at the Suntory Hall in Tokyo on April 11, 1987 and released on ECM the following year.

So, while he plots courses in parallel universes—planning to record Bach’s Goldberg Variations on harpsichord and new works by Lou Harrison and Alan Hohvaness in the classical world, and reviving jazz standards in his trio—Jarrett is also searching for new meaning in a basic E minor chord.

[6]The Stereophile review by Richard Lehnert gave the album the "Recording of March 1989" award, stating:This album of often profound beauty, had it been released by anyone else, would call for much more acclaim; as it is, it's just another Jarrett solo masterpiece in the tradition of Staircase and The Moth and the Flame.

"[7]The AllMusic review by Richard S. Ginell awarded the album 3 stars and states that, "it sounds like a formal recital of individual compositions [...] Keith is often in an introspective, even dark mood [...] The Jarrett devotee will want this; others should use caution".

[4] A review in The New York Times called Jarrett's playing on this album "more spare and austere than on his 1975 solo masterpiece The Köln Concert.