[2][3] Grant's featurettes were often released on the lower half of cinema double-bills with popular European sex films in order to capitalise on the Eady Levy tax situation.
For example, Girls Come First was paired on a 1975 double bill with Enter The 7 Virgins, the Grant produced The Over-Amorous Artist was retitled Just One More Time and re-released as the support feature to a 1975 release of Just Jaeckin's Emmanuelle (1974),[4] The Office Party was paired on a 1976 double bill with Linda Lovelace for President, and the Grant directed Sensations starring Cosey Fanni Tutti and Genesis P-Orridge was the support feature to Le Sexe qui parle (1975).
[4] Described in a 1978 profile in Punch magazine as "a chubby, boyish forty-year-old, with a youthful, uncorrupted face enfolded in two glossy skull-caps of hair and beard",[citation needed] Grant liked to refer to himself as the "King of Sexploitation",[citation needed] and enjoyed giving himself Hitchcock-like cameos in his own films.
[5] As well as his sex films, Grant also produced X-rated cartoons like Sinderella (1972), and comedy shorts like Escape to Entebbe' (1976), a parody of Idi Amin featuring a browned up John Bluthal as a Pakistani TV reporter.
[citation needed] The Slough Observer alleged that Grant had been a drug dealer, and had "corrupted thousands of children"[6] during his time in Northern Cyprus.
An article in The Independent claims that Grant is "thought to have been the victim of a contract killing in 1991," though no evidence is provided to substantiate this rumor.