David Lyndsay

Lyndsay the younger's place of birth and early education are unknown, but he may have attended the University of St Andrews, on the books of which appears an entry "Da Lindesay" for the session 1508–1509.

The difference is due partly to the fact that Lyndsay's muse was more occasional and satirical, and that the time was suitable to the exercise of his special gifts.

His nearest approach to Chaucer is in The Historie and Testament of Squyer Meldrum, which recalls the sketch of the "young squire"; but the reminiscence is verbal rather than spiritual.

Elsewhere his memory serves him less happily, as when he describes the array of the lamented Queen Magdalene in the words which Chaucer had applied to the eyes of his wanton Friar.

"Remembrance" conducts the poet over the old-world itinerary, but only to lead him to speculation on Scotland's woes and to an "Exhortatioun to the Kingis Grace" to bring relief.

Ane Pleasant Satyre of the Thrie Estaitis is more direct in its attack on ecclesiastical abuse; and its dramatic form permits more lively treatment.

It is in respect of literary quality Lyndsay's best work, and in dramatic construction and delineation of character it holds a high place in this genre.

[12] The Testament of the Papyngo (parrot), drawn in the familiar medieval manner, is another tract for the time, full of admonition to court and clergy.

The Justing betwix James Watsoun and Jhone Barbour is a contribution to the popular taste for boisterous fun, in spirit, if not in form, akin to the Christis Kirk on the Grene series; and indirectly, with Dunbar's Turnament and Of ane Blak-Moir, a burlesque of the courtly tourney.

Lyndsay approaches Dunbar in his satire The Supplicatioun in contemptioun of syde taillis ("wide" trains of the ladies), which recalls the older poet's realistic lines on the filthy condition of the city streets.

The Association for Scottish Literary Studies issued Janet Hadley Williams, David Lyndsay, Selected Poems, (2000) freshly establishing texts with detailed notes.

See also the editions by Pinkerton (1792), Sibbald (1803), and George Chalmers (1806); and the critical accounts in Henderson's Scottish Vernacular Literature (1898), Gregory Smith's Transition Period (1900), and J.H.

A professional work prepared by Lyndsay in the Lyon Office, entitled the Register of Scottish Arms (now preserved in manuscript in the Advocates' Library), was printed in 1821 and reprinted in 1878.

The Rothesay Herald offered to show the Armorial to the English diplomat Thomas Randolph in October 1561, "wherein are all the arms of all the noblemen and barons both new and old that are in Scotland.

Other business included the long-standing issue of Robert Barton of Over Barnton's ship the Black Bark, seized by Spanish pirates off England in 1519.

[19] Lyndsay as Lion King of Arms accompanied Lord Erskine with Robert Hart, Rothesay Herald, to Windsor Castle, where they acted as proxy for the installation of James V as a Knight of the Order of the Garter.

After travelling to meet Henry VIII at Thornbury Castle, they returned to London, where a servant of Thomas Cromwell gave Lindsay £20.

Sir David Lyndsay
Lyndsay as depicted on the Scott Monument
Lyndsay's coat of arms, as illustrated in the Lindsay of the Mount Roll
Statue of Sir David Lyndsay, Scottish National Portrait Gallery