His work as producer has extended beyond executive and technical roles to embrace creative musical collaborations, generally using his skills as an audio technician and an aficionado of found sound.
Singleton currently releases his own material under the alias of The Vicar – a multimedia project persona that has produced a story blog and videoblogs, printed fiction, graphic novels, and song albums.
The two men quickly established a rapport, and Fripp subsequently hired Singleton to work on the 1991 King Crimson compilation Frame by Frame: The Essential King Crimson, to engineer, master and mix Kneeling at the Shrine (the lone 1991 album by the Fripp/Toyah band Sunday All Over the World) and to mix Show of Hands (the second album by The League of Crafty Guitarists).
At the time, Fripp (who was living in the town of Wimborne Minster) was a near-neighbour of Singleton's and the duo soon joined forces as a permanent and equal partnership of complementary, overlapping skills and ideas.
In 1992 Fripp and Singleton founded both the Ton Prob production partnership and the record label Discipline Global Mobile (DGM), both of which have continued to the present day.
DGM was explicitly set up as "a model of ethical business in an industry founded on exploitation, oiled by deceit, riven with theft and fueled by greed".
[4][5][6][7] During this period Singleton worked with assorted DGM-signed artists (Trey Gunn, California Guitar Trio, Gitbox, Tony Geballe, Jacob Heringman, Ten Seconds) as well as The Orb (via the Fripp/Orb/Thomas Fehlmann collaboration FFWD) and Bill Nelson (musician), and worked on archive recordings by King Crimson, The League of Gentlemen and The League of Crafty Guitarists.
Post-1998, his production clients have included past and present King Crimson frontmen John Wetton and Jakko Jakszyk and classic American songwriter Melanie.
In 1992 (at around the same time that he and Fripp were first founding DGM) Singleton joined keyboard player and arranger Toby Campling-Richard's band Camilla's Little Secret as bass guitarist/pianist/co-producer.
As well as Campling-Richards and Singleton, the band also featured Sunday All Over the World's drummer Paul Beavis and two singers (Martin Rawle and Georgia Lewis) with Fripp making occasional guest appearance on guitar under the pseudonym of Bobby Wilcox.
In March 1993 the band recorded and released a second single, a double-A-side on vinyl called "Tantalising Eyes", marketed with the tagline "Are you bored hearing the same guitar solo every time?
[18] Despite raising four million dollars in initial investment, BootlegTV folded in 2001, due a reluctance on the part of investors to continue supporting the original business plan.
[19] Various publicity stunts and culture-jamming incidents followed, ostensibly carried out by Punk: these included a period of incarceration within Facebook, 2013’s "Fart For Your Rights" campaign (a mock dirty protest aimed at Universal Music Group, who were at the time selling King Crimson's music without a proper legal agreement or due remuneration)[1][20][21] and a 2014 iTunes app of drummer jokes.