Tudor also gave early performances of works by Morton Feldman, Earle Brown, Christian Wolff and La Monte Young.

Cage said that many of his pieces were written either specifically for Tudor to perform or with him in mind, once stating "what you had to do was to make a situation that would interest him.

One piece, Reunion (1968), written jointly with Lowell Cross features a chess game, where each move triggers a lighting effect or projection.

Rain Forest is a sound installation created from constructed sculpture and everyday objects such as a metal barrel, a vintage computer disk, and plastic tubing which served as a musical accompaniment.

[6] In his realisations of these scores, Tudor "pin[ned] them down like butterflies", making the indeterminate determined, such that each performance of these works was consistent with the last.

[7] As Martin Iddon explains: "Tudor's practice was, broadly, to create a single realisation and then to use that version of the piece in all subsequent recordings".

These fixed realisations are examples of 'distributed authorship' where "the conception, meaning and sound-world of a given composition is shared across multiple subjectivities".