A convict on the run switches identities with a lookalike, only to find himself in even deeper trouble.

"[5] Kine Weekly wrote: "The picture contains more talk than action, and the comedy relief is a bit heavy-handed, but competent performances by Emrys Jones, Zena Marshall and John Horsely prevent the interest from flagging.

"[6] TV Guide thought the idea was "done much better in Antonioni's The Passenger (1975)," but found the film, "still occasionally entertaining.

"[7] The Radio Times wrote, "In spite of its penury, this typical 1950s British crime quickie...is curiously engaging...Although director John Gilling throws in a few Cornish coastal views, he's mostly confined to unconvincing sets, though the cheapskate look only adds to the charm.

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