Similarly, a kind of reverse force of "forgetting" in Nietzsche and the body without organs in Deleuze and Guattari disavows the will to power and desiring-production, attempting to realize the ideal of a hermetic subject.
The subject for these early writings was situated at the border of determined machines at one end, and a field of undetermined structures on the other side, composed of becomings, and technological advancement and re-emergences.
"[2] Desiring-machines participate in events of convergence, where partial objects and BwOs are conjoined upon an amorphous lattice of codes (milieus and strata), and an apparent counter-flow of decoding (deterritorialisation and territories), producing lineages and multiplicities of gears, events, and productive elements, regardless of whether such parts are concordant or discordant; positive or negative.
Instead, production is an unyielding and affirmative process of connection (as opposed to teleology, dialectics, essentialism, and hylomorphism, etc.,) and then the resultant divisions and quotients which emerge in relation to BwOs.
[6] Published in the same year as Anti-Œdipus, Guy Hocquenghem's Homosexual Desire re-articulated desiring-production within the emergent field of queer theory.