In the early 1950s, while developing her professional modeling career, she found employment as a chorus girl at Bimbo's 365 Club in San Francisco.

As the decade progressed, she modeled for many professional photographers, including Peter Gowland, Bunny Yeager and Keith Bernard, appearing in a myriad of men's magazines, such as Esquire, and commercial advertising imagery.

Webber appeared on the cover art of several pop music vinyl record albums in the late 1950s-1960s, including George Shearing's Satin Brass (1959), Cliff Ferre Looks Like Fun, Les Baxter's La Femme (1956) and Jewels of the Sea (1961), Nelson Riddle's Sea of Dreams (1958), Marty Paich's Jazz for Relaxation (1956),[5] Xavier Cugat's Chilie con Cugie (1959), Otto Cesana's Sheer Ecstasy (1960) and the R.C.A.

[7] In 1965, she traveled to Sioux City to give evidence at the request of a District Attorney's Office in a court trial involving the sending of allegedly obscene nudist publications into the State of Iowa.

[15] Talese had published an extensive article in the August 1975 issue of Esquire, in which Webber is considered an object of fantasy as well as an actual person.