From 1994 to 2003, Hernández was involved with Ordo Amoris Cabinet, which he co-founded with Ernesto Oroza, Juan Bernal, Francis Acea and Manuel Piña.
After a brief stint at an architecture firm, he went on to form a collaboration experience together with Ernesto Oroza, Juan Bernal, Francis Acea and Manuel Piña under the name of Ordo Amoris Cabinet (OAC; Latin, Order of Love).
The group created sculptural installations which incorporated various research methodologies to address social and cultural issues in Cuba.
In Cuba printed or amplified politics can only be stopped if we shut our front door and switch off the radio and this is somehow what I did with these series of exhibitions; I finally moved from the streets to my living room.
"[1] Hernández’s works has been included at the 51st Venice Art Biennale (Arsenale, 2005), São Paulo Art Biennial (2006), Biennale of Sydney (2006), Kunsthalle Basel (2006), Munich’s Haus der Kunst (2010), London’s Hayward Gallery (2010) and more recently with a survey at the MART in Rovereto, Italy, (2011).