Die Tödliche Doris was part of the Geniale Dilletanten movement (Ingenious Dilletantes (spelling error intentional)), a merger of the new wave and post-punk scene, which combined influences like Frieder Butzmann [de], Einstürzende Neubauten and Malaria!.
The head of the band, author, musician and artist Wolfgang Müller, wrote the book Geniale Dilletanten for the Merve [de] publishing house.
Rather than constructing a consistent identity, typically essential for pop music groups, Die Tödliche Doris challenged the notion of "convention" or "stereotype".
With their following project, Die Tödliche Doris and her head, the philosopher and artist Wolfgang Müller broke the convention of a normal record-producing.
Doris-head Wolfgang Müller said this idea was born as a result of the coming-up atmosphere of becoming commercially successful, which has got since 1983 a noticeable influence of the West-Berlin Ingenious Dilettantes Scene around Einstürzende Neubauten, Malaria and others.
Unser Debut received many bad reviews, though some writers in Belgium and Canada identified the music of the LP as "a parody about commercialism and conformance".
Thus, Die Tödliche Doris created an additional, invisible 5th album in between Unser Debüt (their fourth) and Sechs (the sixth).