[2] Dihl was a chemist, and the factory experimented with new colours and finishes.
From an early stage, it operated under the protection, though not the ownership, of the child Louis Antoine, Duke of Angoulême, (1775-1844), a nephew of the reigning King Louis XVI.
[3] The Empress Joséphine commissioned a service in 1811, with Dutch Golden Age paintings of genre subjects, in gilded Neoclassical settings, a somewhat surprising combination already used by Sèvres before the Revolution.
[4] A particular specialty was vases which imitated polished stone or tortoiseshell in porcelain, some in the slim fuseau shape and mounted with ormolu.
[5] An abbreviated version of the formal name "Manufacture de Monsieur Le Duc d’Angoulême" was sometimes stamped underneath pieces, and a mark of G and A intertwined was used.