[3][4] The press release described it as "a reflection upon human 'webs of significance,' and an investigation into the ways that electronic communications technologies, both past and present, facilitate, complicate and transmute the formation of these webs.
"[5][3] On September 14, 2013, Block performed her composition Dissolution alongside Pauline Oliveros at the ISSUE Project Room in Brooklyn, New York.
[8] In September 2013, The New York Times's Steve Smith reviewed her performance at the ISSUE Project Room in Brooklyn, New York involving contact microphones, microcassette recorders, and walkie-talkies; as "graceful, deliberate physicality of her gestures enhanced the ebb and flow of her aural assemblage, endowing what might have sounded abstract and cerebral with palpable sensations of volition and emotional involvement.
's Nilan Perera said "While ostensibly ambient in nature, in terms of how the general feel of how the sound/music flows, one shouldn't make the mistake of listening and not expecting narrative — there is a linear and present one in each piece on Dissolution.
"[3] Fluid Radio's Nathan Thomas reviewed the LP favorably stating "Trying to make sense of "Dissolution" is like trying to piece together an image of a contemporary civilisation from its already-ruined traces; it seems like all these broken shards of communication should come together to form a coherent picture, but consistently, tellingly, they don't.