Doily

Doilies are traditionally used to bind the stems in posies (formal flower arrangements called tussie-mussies in the Victorian Era).

The custom requires that both doily and finger bowl are removed to the upper left of the place setting before briefly dipping fingertips into the water and drying them on the napkin.

In response to a museum's diminishment of the work and value of women's textiles, scholar Elena Kanagy-Loux defended the artistry, value, and skill of the makers of doilies.

[7] Cultural doily work and motifs have been celebrated by contemporary artists, including public art pieces[8] and shows.

Although it may to some extent interfere with the original use, some doilies involve embroidery or have raised designs (rose petals, popcorn, or ruffles) rather than being flat.

Representation of ears of ripe wheat used as a table linen
Armenian Needlelace
Eliza A. Jordson, Brooklyn L.I. 1848. Algae or seaweed specimen, pasted on colored construction paper, framed by paper lace doilies. Brooklyn Museum .
A crocheted doily in use
Queen Elizabeth II holds a doily-wrapped posy.
Macarons on a paper doily
Italian-American doily representation in public art