[3] It was co-written by Per Gessle with American composer Desmond Child, and was originally intended for submission to other recording artists.

[4] In the United Kingdom, a remixed version of "The Look" – titled "The Look '95" – was released in November as the album's lead single there, where it peaked at number 28.

[9] The remaining new song, "I Don't Want to Get Hurt", was issued as a promotional single in Brazil, and became a sizable airplay hit there after it was predominantly featured in a Brazilian telenovela.

Also included on the compilation are two previously released non-album singles: "It Must Have Been Love" and "Almost Unreal", from the soundtracks of Pretty Woman (1990) and Super Mario Bros. (1993), respectively.

[3] Bryan Buss of AllMusic said that the album "exhibits what pop masters Per Gessle and Marie Fredriksson are, ... [they have] crafted some of the best tunes of the '80s and '90s."

"[12] Ronny Olovsson from Swedish publication Aftonbladet also complimented the new songs, calling them "just as strong [melodically]" as their biggest hit singles, but claimed that the production on their earlier material had aged badly.

[14] It was later certified platinum by the International Federation of the Phonographic Industry in 1996 for sales of over a million copies throughout Europe.

[5] In Germany, the record peaked at number seven,[9] and was certified platinum by the BVMI for shipments in excess of 500,000 units.

[26][25] Conversely, the album initially had little impact on the ARIA Charts when it was released in Australia in late 1995, failing to enter the top 40 there.

[28] The record would go on to peak in the top ten,[27] and was certified double platinum by the ARIA for shipments in excess of 140,000 copies.

[31][32] It was finally issued in the US in 2000, with an amended track listing: all of the new songs, aside from "You Don't Understand Me", were cut, along with the singles which were never released in the US (namely "The Big L." and "Vulnerable").