[2][3] A man (Alexander Hay) plans to murder his rich wife Rosa (Irene Sims).
[7] The Sydney Morning Herald said there was "originality in the presentation of the play... and for that reason it can be counted among the more interesting" of the series, saying "the conception of combining a technique reminiscent of the old silent films with that of contemporary television production was cleverly contrived....
This story, banal and completely improbable in itself, was acceptable owing to the slick production in the hands of Henri Safran.
"[8] Another critic from the same paper praised Flower for "her clever bit of something-out-of-nothing" but most of all Safran "for easily the year's most inventive production work.
With a tongue-in-cheek combination of stills and action, he made this lightweight piece into a halfhour comedy gem.