Smith experiments with and explores the links between contemporary humanity and its boundary figures - ghosts, mutants, hybrids - engaging his own body and that of his collaborators - writers, astronauts, shamans, engineers, designers, performers or composers - in indisciplinary projects.
Disturbing genres, languages and disciplines, Smith proposes curious works, in the etymological sense of cura: curiosity and care for the world around us, the terrestrial and the celestial, the human and the non-human, the visible and the invisible, imagination and fiction.
Thermal cameras, drones, neon lights, implantations of electronic chips and subcutaneous meteorites, atomic mutations or trance practices characterise his fluid work composed with technological and spiritual means that incorporate the dimensions of mystery and dream.
They were presented during cinema festivals in Europe, at the Centre Pompidou, and Théâtre de la Cité Internationale (Paris), at the CND (Pantin), at the Dance Museum (Rennes) and at the CCN-ICI (Montpellier).
Smith's visual works were exhibited as solo shows at the Rencontres Internationales de la Photographie (Arles), at the Filles du Calvaire gallery and Palais de Tokyo (Paris), at the Photographic Museum of Helsinki (Finland), as well as several countries in Europe (Sweden, Luxembourg, Germany, Spain, Italy, Austria, Switzerland), Asia (China, Cambodia, South Korea) and Latin America (Mexico, Chile, Uruguay).