Douglas Volk

Congressman Lincoln posed for a bust by Leonard Volk in early 1860, and the sculptor made plaster casts of his face and hands.

One of the three, a "story picture" titled The Puritan Maiden, featured a young woman huddled against a tree in a bleak winter landscape.

Puritan Mother and Child (1897), featured his wife in historical costume embracing their youngest son, and was part of the group that won a gold medal at the 1915 Panama-Pacific Exposition in San Francisco.

The Young Pioneer (1899), a full-length portrait of his son Gerome in rustic costume holding a canoe paddle, won first prize at the 1899 Colonial Exhibition in Boston.

The sober dignity of the color schemes, warm browns, rich woodland greens and glimpses of brilliant blue, enforce the serene impressiveness of these pictures.

[4] The Volks began spending their summers in Center Lovell, Maine in the 1890s, and in 1904 bought a farmhouse on 25 acres along the shore of Kezar Lake.

They renovated the house and added to it, naming it "Hewnoaks," and eventually building four additional cottages and an artist's studio for Volk.

Many of their friends in the Arts and Crafts Movement were houseguests, including artists J. Alden Weir, Frank Benson, Childe Hassam, and William Merritt Chase; architect John Calvin Stevens, interior designer John Scott Bradstreet, and Swedish-born woodcarver Karl A. von Rydingsvärd.

[15] By the turn of the century, Marion Larrabee Volk had begun using traditional area looms to weave textiles and rugs.

Her designs were based on motifs from Native American art, and she made her own dyes out of natural materials – apple, yellow oak and maple tree bark; goldenrod, barberry, St. John's wort and madder root.

In a communal effort with her children and local residents, she produced "Sabatos" rugs and textiles, named for a nearby mountain.

In October 2006, the contents grossed more than $700,000 at auction, drawing especially high prices for two paintings by the illustrator Howard Pyle and photographs of Native Americans by the Norwegian Frederick Monsen [no] (1865–1929).

[18] His students included artists Russell Cowles, Benjamin Orso Eggleston, Susan Ricker Knox, Ada Murphy, Ella Bennett Sherman, Adele Rogers Shrenk, and Helen Maria Turner.

[5] The Hermitage Museum and Gardens in Norfolk, Virginia owns several of his paintings,[20] and its Tudor Revival building features extensive carving by his friend von Rydingsvärd.

The Second Minnesota Regiment at Missionary Ridge, c. 1906, Governor's Reception Room at the Minnesota State Capitol
Ye Maiden's Reverie (1898), Berkshire Museum
Marion, Portrait of the Artist's Daughter (1914), University of Rochester
The Boy with the Arrow ( Portrait of the Artist's Son ) (1903), Smithsonian American Art Museum
Dr. Felix Adler (1914), Metropolitan Museum of Art