[1] As was done with the debuts of previous 4AD artists like Pixies, Lush, and His Name Is Alive, the album is made up of demos that were slightly remixed for general release.

In Martin Aston's book Facing the Other Way: The Story of 4AD, Mark Kozelek expressed regret over the reverb- and echo-heavy mixing techniques he employed.

The song "Waterkill", which dates from the same sessions but not included here, later appeared on the compilation Retrospective in un-remixed form, giving listeners an idea of the original demos' rawer sound.

The Philadelphia Inquirer noted that "as glum and mournful as Kozelek's sentiments may be, there's a still, stark autumnal beauty that emerges over the course of this debut that's the pop equivalent of a chilly, fogbound English morning.

"[8] AllMusic wrote that "the group has already reached full maturity; these lengthy, ponderous songs are remarkably evocative portraits of a distinctly tortured psyche – Mark Kozelek forgoes the camouflage of metaphor to lay his soul on the line, and the honesty of his craft is both beautiful and disturbing".