[3] This is the second release on the Bluebird label supported by a full orchestra, with arrangements by conductor Rob Mathes.

[4] John Bush of Allmusic stated "Her solos, though beautiful and contemplative, are short and usually hug the shore.

As an overall musician, Elias has sure instincts when playing or singing, and compensates for her lack of vocal strength by rarely lingering on her notes."

A Billboard's reviewer commented, "It's a tasteful album, made so by Elias' seductive, husky vocals, the subtle string orchestration and an overall Brazilian feel.

"[6] Christopher Loudon of JazzTimes wrote, "Elias’ piano work on these 11 tracks is as effortlessly elegant as ever.