[5] Its score was composed principally by Jonathan Goldsmith, although it also includes a jazz-based arrangement of Eurythmics' 1999 single "I Saved the World Today".

The critics' consensus states: "While it may entrance audiences in search of the thoroughly strange, Dreamland lives down to its title by failing to cohere in any meaningful way.

"[8] Alex Rose of Cult MTL wrote that "Though it would be simple to just call Dreamland second-rate Lynch and leave it at that, there’s both more going on here and less lofty ideals than one might expect.

Where a lot of these films (recent examples off the top of my head include Terminal, Passion Play, Hotel Artemis and Mute) fail is in their absolute lack of a sense of humour; even the ones that are would-be black comedies tend to fall completely up their own assholes in a smug acceptance of irony as the end-all be-all.

"[2] Chris Knight of Postmedia wrote that "It's the kind of film that would have killed at the Toronto festival's Midnight Madness program, and it may have a harder time finding its audience in the scattered realm of VOD.