On February 19, 2018, information appeared that Siarhei Mikhalok was organizing a new electronic project for which he had already assembled an international band bolstered up with guitarist Vladimir Opsenica from Okean Elzy.

He said that he listened to New Order, Front 242, The KLF, Nena and Joachim Witt, and while attending Laibach and Nitzer Ebb concerts, he dreamed of the organizing of his electronic band.

[6] By style, the music was supposed to be an "eclectic fusion" of The Cure, Wolfsheim, and Russian musician Alexei Veeshnya, while the lyrics were going to be sort of an allusion to the works of Mikhalok's favorite writers: Philip K. Dick, William Gibson, and Bruce Sterling.

[2] Conrad Erofeev from The Village heard Krautrock and new wave tunes on the album and pointed out the seriousness of the lyrics that leaves a theatrical impression though, while these experiments with music just highlight Mikhalok's creativity crisis, according to the author of the review.

[3] In his review piece over at Km.ru, Denis Stupnikov described the album as a mix between synth-pop and the German industrial music, the lyrics of which have serious as well as ludicrous motifs, and echoed Conrad Erofeev's take stating that Siarhei Mikhalok faced sort of a midlife crisis.