[5][6] As part of the Khajuraho Group of Monuments, the temple was inscribed on the UNESCO World Heritage List in 1986.

From this similarity it has been inferred that the sculpturing at both locations were the handiwork of the same sculptors and further that they were created during the period from 1060 to 1100, during the reign of Kirttivarman.

[12] However, Archaeological Survey of India has inferred the period of temple building activity in Khajuraho from 950 to 1150 AD based on palaeography and the architectural style.

[1] From the name Vasala inscribed at a number of locations in the temple, it is inferred that the name is of the chief sculptor who created the sculptures.

[1] The damsels dancing around trees, and women in erotic poses are also part of the temple architecture.

[1] A striking sculpture is of a profile carving of a celestial dancer in the inner passage of the temple hemmed between buttresses, which has decoration of a necklace with hands poised as if to throw a dice.

[17] Another similarity noted between the ruins of Jamsor temple and Duladeo is the canopy of sculptures of mango trees and fruits, which are symbols of fertility.

The figurines set with in these trees project out and have well finished front face but exhibit "double chin and sharply arched eyebrows".

[12] Also notable are a carving of a flying god (deva), which is decorated with a long rectangular shaped necklace.

[20] The architecture copies the old style as it was built at the end of the Chandela period, and hence the sculptures are stated to be "wooden" and "stereotyped" compared with other earlier temples in the complex.

The restored parts are discernible in the lighter colour of the sandstone, and that they are not carved and devoid of any sculptures or decoration.