Since 2003, he has performed every year at the Edinburgh Festival Fringe, either in his own one-man cabarets and/or as host and programmer of variety nights including the Vaudeville at the Bongo Club.
[8] He has appeared on the bill with many of the leading performers in the worlds of neo-Weimar cabaret and burlesque, including Amanda Palmer, Camille O'Sullivan, Justin Bond, Meow Meow, Miss Behave, Empress Stah, Jonny Woo, The Luminescent Orchestrii, Fancy Chance, Paul L Martin, Immodesty Blaize, Kittie Klaw, Roxy Velvet, Gill Manly, Taylor Mac, Amy G, Baby Dee, Daniel Isengart, Ali McGregor, Nathan Evans and Holly Penfield.
He performed a completely revised version of the show at the Famous Spiegeltent as part of the Edinburgh Fringe 2010, earning 5-star reviews.
[citation needed] In 2008, Limits appeared as a guest performer in the sell-out season of Miss Behave's Variety Nighty at The Roundhouse in Camden, North London.
From 2007 to 2009, he programmed and hosted a monthly new-cabaret showcase at the Royal Vauxhall Tavern called first Kabarett and then KUNST, which means "art" in German.
The night featured both established and up-and-coming performers and has included a number of noteworthy artists on the European cabaret circuit, such as Fancy Chance, Frisky and Mannish, Bourgeois and Maurice, Chrisalys, Desmond O'Connor and Lucifire.
He performed as Hildegaard Von Boss in Cinderella and the Glass Ceiling (2010) and Monsieur Wolf in "Red Riding Hoodie" (2011).
He performed in 2010 as part of the Grimeborn Festival in a short experimental opera piece entitled CROW, with music by Michael Roulston.
Along with Tricity Vogue, he wrote and performed a season of satirical sketches and songs in the Private Eye Dining Room, upstairs at Norman's Coach and Horses in Soho.
[citation needed] In 2013, he took a new show, Psycho, to the Fringe, which included a dozen original songs written with his writing partner Michael Roulston and received excellent reviews.
[citation needed] In 2015, he released an album of original songs written with composer Michael Roulston, entitled Grin.
Time Out review of 2008 (edition of 18 December) named him as one of the four main neo-cabaret guards, (along with Jonny Woo, Justin Bond and Empress Stah) who had done "exceptional work".
In the same issue, he was also one of the 10 "scene leaders" invited to share their personal highlights of the year in the Social Club section feature.