Dwelling in the Fuchun Mountains is considered one of the greatest surviving masterpieces by the highly acclaimed Chinese painter Huang Gongwang (1269–1354).
There he made a number of paintings on the natural landscape, among them Dwelling in the Fuchun Mountains, which depicts the scenery in Fuyang, Hangzhou.
It was "carefully designed and developed in layers of wet washes and brush strokes, giving a convincing appearance of offhand but inspired organisation and of spontaneous ink-play in detail"—two techniques with which Huang Gongwang is associated, later influencing such artists as Wang Yuanqi, one of the 'Six Masters of the Early Qing'.
Over the following centuries, the painting had come to know several owners, including Tan Zhiyi (谈志伊), Dong Qichang (董其昌) and Wu Zhengzhi (吴正志).
It passed through the hands of several high-level government officials, including Gao Shiqi (高士奇) and Wang Hongxu (王鸿绪), before landing in the Imperial Palace.
In 2011, the first section of the painting was loaned to the National Palace Museum in Taipei where, in June and July, the two pieces were reunited for the first time since their separation more than three and a half centuries ago.
The show is centered around embroidery, and a scarf with the embroidered "Remaining Mountain" half of the painting plays an important role in the plot.