The premiere took place on 16 May 1974, at New York State Theater, Lincoln Center, with scenery by Rouben Ter-Arutunian, costumes by Patricia Zipprodt and lighting by Jennifer Tipton.
Yiddish playwright S. Ansky’s The Dybbuk (1912–1919) centers around Khonnon and Leah, a young couple that has been promised for marriage to each other by their fathers before they were born.
After rabbinical intervention, the likes of which Ansky had seen in exorcism-like ceremonies among the Hasidim when traveling through present day Belarus, Leah is forced to decide whether to marry the richer man or enter an unworldly union with the ghost of Khonnon.
[2] The result lent itself well to dodecaphonic composition but baffled critics, causing Oliver Knussen to write in Tempo, "…it is surprising to encounter Bernstein making use of numerical formulas derived from the Kabbalah… and producing his most austerely contemporary-sounding score to date.
"[3] Jack Gottlieb commented, "The Dybbuk ballet (1974), however, marks a kind of departure for the composer since its concern with numerology results in far more hard-edged dissonant music (sometimes 12-tone) than in any of his other works.