Love walked into Walt Disney's office, unscheduled, and showed him a stop-motion animation sample of Mickey Mouse playing the violin.
[2] Love was initially paid $18 a week and animated Goofy and Pluto more frequently than other characters.
Disney gave their animators a lot of freedom by giving them the option if they want to add additional frames.
Love left the studio for good after participating in the Disney animators' strike 1941.
[3][self-published source] After he was fired by Fred Quimby,[4] Love would briefly work in Hugh Harman's animation studio and also help animate Bob Clampett's cartoon It's a Grand Old Nag for Republic Pictures, before settling into Walter Lantz Productions in 1947.
Love would move to commercial animation in the 1950s for companies such as Paul Fennell's studio, but returned to work full-time at Hanna-Barbera Productions in 1959 for their television shows, such as Yogi Bear, The Flintstones and The Jetsons.