[8] The group's highly politicized work, including Chambers' Destruction of the National Front (now in the Tate Gallery collection), was part of a controversial 1989 touring exhibition entitled "The Other Story: Asian, African and Caribbean artists in Post-War Britain".
[3] The exhibition challenged imperialist attitudes toward race and nationalism, and attracted wide press attention and critical interest.
[11] When the exhibition began, he and Errol Lloyd held a Q&A session at Guildhall to discuss "the impact made by notable Black Artists in the late 20th Century, who have gone largely unnoticed in the British Art Arena.
[14] In the 21st century, Chambers moved into the world of academia and art scholarship, contributing catalogue essays, anthology entries, articles and books with a focus on the work and history of Black British and African artists.
He also wrote his first substantial work of contemporary art history, Things Done Change: The Cultural Politics of Recent Black Artists in Britain (2012).